Conference (Ordinary Music Vol. 23), for percussion sextet

The title refers to the fact that the performers are sitting at tables, like laptop-performers usually do. The sound-aesthetics refer to field-recordings. I want to provoke a comparison between electronically and manually generated sounds. Almost in all spheres, electronics have suppressed manual activities, and therewith an entire world of sounds is fading. For the music I would like to rescue both the sound-world and the surface feel of manual activity.